In the arena of Saint-Denis, the American superstar gave, Sunday, July 24, a total spectacle entirely devoted to its album “Chromatica”.
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His fans, nicknamed “Little Monsters”, will not have expected it in vain. After two summer reports in summer because of COVVI-19, His Majesty Lady Gaga, the American singer who delighted Madonna the scepter of the dance-pop at the end of the 2000s, was finally able to regain possession of the Stade de France. The attempt in the third season was to be the right one, the Dyonisian enclosure full on Sunday July 24.
Woman of all excesses, Lady Gaga had not been impressed by the gigantism of the place when she discovered it in 2012. Her two concerts at Accor Arena (formerly Paris-Bercy) in 2018 must have been unfortunately canceled Due to hospitalization linked to fibromyalgia. The “little monsters” had therefore not revised the phenomenon in France – which, for her, means the capital – since its passage in this same Bercy in 2014.
eight years, it was very long and the excitement is at its height when the silhouette of the star, then her face appear in black and white in a film which already camps it in the role that she herself Assigned for her tour “The Chromatica Ball”: that of a Dark Fantasy heroine. With a warlike aesthetic close to that of the iron throne, the romantic series of George R. R. Martin which was adapted in Game of Thrones, but revisited by a performer of contemporary art.
Operatic cutting
published in May 2020, the album Chromatica saw Lady Gaga return to “Dance”, with this mixture of synthetic pop and electro-rock that had signed the success of her first albums, The Fame and Born This Way . Without bringing anything nine despite the army of convened collaborators, if not this concept of an imaginary planet, escape a world less and less habitable. This is undoubtedly not the opinion of the interested party since she chose to defend the almost integrality of this disc, by resuming its operative division. The orchestral preludes thus make it possible to go from one table to another, with four acts preceded by a prelude and concluded by a final.
At 36, Stefani Germanotta does not yet abandon himself to nostalgia for his repertoire, and that is all in his honor. And what could seem repetitive to listening to the disc is no longer on stage thanks to a show that we will qualify as Total: it does not associate no less than sixteen dancers – to surround, wear or undress the queen of The evening -, five musicians -including guitarists who seem straight out of the Hellfest -, video, and obviously incessant changes in outfits. As for the decor, Lady Gaga wanted it as a tribute to brutalist architecture. Consequently, this very heavy structure is reserved for a summer tour of stadiums and is only deployed in five European cities.
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