A popular comedy removed and insolent, where the actress embodies a woman who decides to fight, in his own way, against social decommissioning.
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If there is a thread at Jean-Paul Salomé, it is undeniably that of travesting. Belplegor, the ghost of the Louvre (2001), Arsène Lupine (2004), the chameleon (2010), as many films where the illusion, the metamorphosis, the imposture, in a word the game, beat their full. In this Daronne, Isabelle Huppert – who would have raw? – Thread the Djellaba “Great Style”, the Fashion Glasses, Gold Gygachaine, and plays the Daughter’s Air Girl, from Schnouff to the Moroccan Suitcase.
His character, reaches, interpreter and translator of Arabic to the narcotics brigade, is a long-time widow who wins too little for both properly educating his daughter and to fill, in an establishment worthy of the name , to the needs of a mother caught by senile dementia, whose last wishes are to scatter his ashes in the luxury rays of Galeries Lafayette.
We are here in the high vein of the French popular comedy, well written, well played, insolent and good child at the same time. Jean-Paul Salomé is inspired by the successful eponymous novel signed in 2017 by the unusual Avocate-writer Hannelore Cayre, promoted coscenarist of the film.
Double game
Patience retains from his childhood, under the authority of a father who was a beautiful crook, the nostalgia of a certain comfort of existence. An opportunity arises, that she will not have the courage to refuse: a big drug stock, left drop in nature as a result of a police intervention. The idea comes to him that there is a finally effective way to fight against the decommissioning of the middle classes.
But, as we have nothing without anything in life, it takes tongue, under the features of a gold armored sheikha responding to the name not quite anodin of “Madame Ben Bouka”, with two minable Totally fought resellers meeting the Sobriquets of Scotch and Chocapic.
Escape to the verdict of the goods of the goods, play double game with the police commander who is also his tender friend, to reframe the trustee of his building, herself expert in franco-Chinese traffic, finally wake up to soften The last moments of his mother, it hurts a lot of things to lead from forehead, including for the director.
In an urban theater that runs along the Ménilmontant aerial metro to Barbès, Jews, Chinese and Maghreb, in good children of the country, wire to whom better better a republic who does not hold his promises, but still a little Welcoming the Galerians of the vast world, gathered under the standard of resourcefulness and cosmopolitanism.
A Republic where Chamonix Orange – These cakes of an opulent era that the greater world is eating, and that patience stores in its closet – make points to the Madeleine de Proust.